| Edition |
Rev. enl.ed.
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| Publication |
London, Thames & Hudson, 1988.
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| Description |
240pBlack Spine
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| Series |
World of Art
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| Summary/Abstract |
Works from the collection of New York City's Museum of Modern Art illustrate a history-survey of modern printmaking and of the styles, techniques, and modes of such masters as Chagall, Klee, Matisse, Miro, Picasso, and Rauschenberg.
|
| Contents |
Introduction: some nineteenth century influences
Expressionism in France and Germany up to World War I: Fauves, Die Brucke, Der Blaue Reiter
Cubism
Postwar Expressionism and nonobjective art in Germany
Dada and Surrealism
Independent directions: the School of Paris and the revival of lithography
Picasso after Cubism
Between the wars: Mexico, the United States, Japan
Printmaking after World War II: the persistence of Expressionism and Surrealism
The flourishing of lithography in the U.S.A.: the prints of Pop art
Op, kinetic, concrete and the conceptual arts
Pluralism and appropriation in Europe and America
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| Standard Number |
0500202281 Pb.
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