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| Srl | Item |
| 1 |
ID:
024245
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| Publication |
London, Penguin Books, 2003.
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| Description |
296pBlack spine
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| Summary/Abstract |
It is the story of Vladek Speigelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity. Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us. The author-illustrator traces his father's imprisonment in a Nazi concentration camp through a series of disarming and unusual cartoons arranged to tell the story as a novel.
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| Standard Number |
9780141014081 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I01147 | 940.5318/SPI | Main | On Shelf | General | |
| I02306 | 940.5318/SPI | Main | On Shelf | General | |
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| 2 |
ID:
018968
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| Publication |
London, Viking, 2004.
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| Description |
40pBlack Spine
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| Summary/Abstract |
For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day. Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda. He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.
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| Standard Number |
0670915416 Bb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 018051 | 741.5973/SPI | Main | On Shelf | General | |
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