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| Srl | Item |
| 1 |
ID:
017308
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| Publication |
London, Thames & Hudson, 1997.
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| Description |
224pBlack Spine
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| Series |
World of Art
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| Summary/Abstract |
This argued overview is invaluable for the way in which it reveals and makes coherent sense of the often bewildering diversity of styles, forms, media, techniques and agendas that proliferate in contemporary art. Now revised and expanded, Michael Archer's acclaimed book is brought up to date with coverage of the comprehensive globalization of art since the mid-1990s. With over thirty additional illustrations and an updated timeline and bibliography, Art Since 1960 is an indispensable source of information on the evolution of art over the past four decades.
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| Standard Number |
0500202982 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I01090 | 709.0407/ARC | Main | On Shelf | General | |
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| 2 |
ID:
017307
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| Publication |
London, Thames & Hudson, 1998.
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| Description |
224pBlack Spine
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World of Art
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| Summary/Abstract |
This radically new study redefines the American artist Mary Cassatt's status in the Parisian avant-garde and in American art, placing her work in the wider context of nineteenth-century feminism and art theory. Cassatt's art brought a New Woman's perspective to familiar spaces: the theater, the drawing-room and garden, the studio. Admired by Degas - who invited her to show with the Impressionists in 1877 - Cassatt's work reveals her profound study of Old Masters and keen responses to contemporary French and Spanish painters. Griselda Pollock puts a fresh emphasis on Cassatt's interest in Manet and her influence on American collections of French modernism. She argues that Cassatt's experimentation with etching and pastel from the late 1880s enabled her to represent children and women without sentimentality but with a deepening awareness of a complex psychological charge.
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| Standard Number |
0500203172 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I01091 | 759.13/CAS | Main | On Shelf | General | |
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| 3 |
ID:
018276
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| Edition |
Rev. enl.ed.
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| Publication |
London, Thames & Hudson, 1988.
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| Description |
240pBlack Spine
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| Series |
World of Art
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| Summary/Abstract |
Works from the collection of New York City's Museum of Modern Art illustrate a history-survey of modern printmaking and of the styles, techniques, and modes of such masters as Chagall, Klee, Matisse, Miro, Picasso, and Rauschenberg.
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| Contents |
Introduction: some nineteenth century influences
Expressionism in France and Germany up to World War I: Fauves, Die Brucke, Der Blaue Reiter
Cubism
Postwar Expressionism and nonobjective art in Germany
Dada and Surrealism
Independent directions: the School of Paris and the revival of lithography
Picasso after Cubism
Between the wars: Mexico, the United States, Japan
Printmaking after World War II: the persistence of Expressionism and Surrealism
The flourishing of lithography in the U.S.A.: the prints of Pop art
Op, kinetic, concrete and the conceptual arts
Pluralism and appropriation in Europe and America
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| Standard Number |
0500202281 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I01300 | 769.904/CAS | Main | On Shelf | General | |
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