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1 |
ID:
017796
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Publication |
New York, Anchor Books, 2008.
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Description |
xiii, 286pYellow and blue spine
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Summary/Abstract |
William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.
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Standard Number |
9780307279262 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
I01242 | 792.028/ESP | Main | On Shelf | General | |
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2 |
ID:
018024
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Edition |
2nd edition
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Publication |
New York, Back Stage Books, 2006.
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Description |
258pPurple Spine
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Summary/Abstract |
A classic guide to getting young people on stage and helping them create their own shows. Aimed at parents and teachers who work with young people ages 8-18.
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Standard Number |
0823077462 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
017270 | 792.0226/PET | Main | On Shelf | Teacher Resources | Teacher Resource |
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3 |
ID:
016910
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Publication |
New York, Routledge, 2001.
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Description |
xiii, 169pYellow Spine
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Summary/Abstract |
Until his death in 1999, Jacques Lecoq taught indefatigably at his International Theatre School, which he founded in 1956. Here, translated for the first time into English, Lecoq shares his unique philosophy and teaching methods, which together form one of the greatest influences on contemporary international theatre. Neutral mask, character masks and counter-masks, bouffons, acrobatics, commedia, clowns; all the famous Lecoq techniques are included - techniques that have made their way into the work of former collaborators and students such as Dario Fo, Ariane Mnouchkine, Julie Taymor, and Theatre de Complicite.
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Standard Number |
9780878301416 Pb.
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Circulation
Accession# | Call# | Current Location | Status | Policy | Location |
I00983 | 792.028071/LEC | Main | On Shelf | General | |
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4 |
ID:
022919
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Publication |
USA, The Working Arts Library, 2004.
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Description |
59pBlack spine
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Summary/Abstract |
Michael Chekhov discusses the art of characterization, shortcuts to role preparation, how to awaken artistic feelings and emotions, overcoming inhibitions and building self-confidence, psycho-physical exercises, and the development of the ensemble spirit.
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Contents |
Characterization --
Many-levelled acting --
Avoiding monotony in the actor's performance --
How to awaken artistic feelings and emotions --
Love in our profession --
Five guiding principles --
Overcoming inhibitions --
Short cuts to the part.
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Standard Number |
9781557835314 Pb.
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Circulation
Accession# | Call# | Current Location | Status | Policy | Location |
I02108 | 792.028/CHE | Main | On Shelf | General | |
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5 |
ID:
019293
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Publication |
London, Routledge, 2016.
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Description |
x, 106pBlack Spine
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Summary/Abstract |
Based on the storytelling and story acting curriculum of Vivian Gussin Paley, this book provides a practical, step-by-step guide to using this approach with young children. Covering all aspects of the approach, Artistic Director Trisha Lee shows you how you can introduce Helicopter Stories to children for the first time, scribing their tales and then bring their ideas to life by acting them out.
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Contents |
SECTION I The how: Helicopter Stories
The four stages of introduction
1.A sense of anticipation: Introducing Story Acting
2.Would anyone like to tell me a story? Scribing a story around the stage
3.Creating a community of storytellers: Private Stories
4.The vital last step: Story Acting
SECTION II The why: Storytelling and Story Acting
5.The enchanted place: Why is story so important?
6.Stories we may not want to hear: Guns, superheroes and taboos
7.Facing the monsters: Solving problems from a safe space
8.Shush, don't tell anyone: The big secret
9.She Bumped, and she Pow, and she landed, Bang: To scaffold or to model?
10.Onwards and upwards: Adapting Storytelling and Story Acting to new audiences.
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Standard Number |
9781138797659 Pb.
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Circulation
Accession# | Call# | Current Location | Status | Policy | Location |
018267 | 372.677/LEE | Main | On Shelf | Teacher Resources | Teacher Resource |
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6 |
ID:
021455
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Publication |
Connecticut, Martino Publishing, 2014.
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Description |
xiii, 201pWhite spine
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Summary/Abstract |
Chekov has recorded the results of his many years of experimenting, testing and verifying in the professional theater and schools of theater. He brings to the actor far greater insight into himself and the character he is to portray, which enables him to approach any role with new ease and skill. Chekhov was told by Stanislawsky to organize his observations and thoughts and present them to his audience.
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Standard Number |
9781614276593 Pb.
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Circulation
Accession# | Call# | Current Location | Status | Policy | Location |
I01976 | 792.028/CHE | Main | On Shelf | General | |
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