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P153.35 (8) answer(s).
 
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1
ID:   016971


Creative habit: learn it and use it for life / Tharp, Twyla 2003  Book
Tharp, Twyla Book
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Publication New York, Simon and Schuster, 2003.
Description vii, 247pWhite Spine
Summary/Abstract All it takes to make creativity a part of your life is the willingness to make it a habit. It is the product of preparation and effort, and is within reach of everyone. Whether you are a painter, musician, businessperson, or simply an individual yearning to put your creativity to use, The Creative Habit provides you with thirty-two practical exercises based on the lessons Twyla Tharp has learned in her remarkable thirty-five-year career. Tharp leads you through the painful first steps of scratching for ideas, finding the spine of your work, and getting out of ruts and into productive grooves. The wide-open realm of possibilities can be energizing, and Twyla Tharp explains how to take a deep breath and begin...
Standard Number 0743235266 Hb.
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2
ID:   011606


How to have creative ideas: 62 exercises to develop the mind / De Bono, Edward 2007  Book
De Bono, Edward Book
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Publication London, Vermilion, 2007.
Description 180pWhite and Grey Spine
Summary/Abstract Outlines 62 different games and exercises, using random words as a provocation to encourage creativity and lateral thinking.
Standard Number 9780091910488 Pb.
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011769153.35/DeBMainOn ShelfTeacher ResourcesTeacher Resource
3
ID:   014631


Lateral thinking / De Bono, Edward 1990  Book
De Bono, Edward Book
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Publication London, Penguin Books, 1990.
Description 260pRed Spine
Summary/Abstract A book that teaches you to stimulate the mind in new and exciting ways and freeing up your imagination.
Standard Number 9780141033082 Pb.
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4
ID:   015907


Lateral thinking: creativity step by step / De Bono, Edward 1973  Book
De Bono, Edward Book
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Edition 1990
Publication New York, Harper Perennial, 1973.
Description 300pCream Spine
Summary/Abstract The first practical explanation of how creativity works, this results-oriented bestseller trains listeners to move beyond a "vertical" mode of thought to tap the potential of lateral thinking.
Contents Preface Introduction Use of this book The way the mind works Difference between lateral and vertical thinking Attitudes towards lateral thinking Basic nature of lateral thinking The use of lateral thinking Techniques The generation of alternatives Challenging assumptions Innovation Suspended judgement Design Dominant ideas and crucial factors Fractionation The reversal method Brainstorming Analogies Choice of entry point and attention area Random stimulation Concepts/divisions/polarization The new word po Blocked by openness Description/problem solving/design Summary
Standard Number 9780060903251 Pb.
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5
ID:   022265


Messy: How to be creative..... / Harford, Tim 2016  Book
Harford, Tim Book
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Publication London, Little, Brown and Company, 2016.
Description 327pWhite spine
Summary/Abstract The urge to tidiness seems to be rooted deep in the human psyche. Many of us feel threatened by anything that is vague, unplanned, scattered around or hard to describe. We find comfort in having a script to rely on, a system to follow, in being able to categorise and file away. We all benefit from tidy organisation - up to a point. A large library needs a reference system. Global trade needs the shipping container. Scientific collaboration needs measurement units. But the forces of tidiness have marched too far. Corporate middle managers and government bureaucrats have long tended to insist that everything must have a label, a number and a logical place in a logical system. Now that they are armed with computers and serial numbers, there is little to hold this tidy-mindedness in check. It's even spilling into our personal lives, as we corral our children into sanitised play areas or entrust our quest for love to the soulless algorithms of dating websites. Order is imposed when chaos would be more productive. Or if not chaos, then . . . messiness. The trouble with tidiness is that, in excess, it becomes rigid, fragile and sterile. In MESSY, Tim Harford reveals how qualities we value more than ever - responsiveness, resilience and creativity - simply cannot be disentangled from the messy soil that produces them. This, then, is a book about the benefits of being messy: messy in our private lives; messy in the office, with piles of paper on the desk and unread spreadsheets; messy in the recording studio, the laboratory or in preparing for an important presentation; and messy in our approach to business, politics and economics, leaving things vague, diverse and uncomfortably made-up-on-the-spot. It's time to rediscover the benefits of a little mess.
Contents Creativity Collaboration Workplaces Improvisation Winning Incentives Automation Resilience Life
Standard Number 9781408706763 Pb.
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6
ID:   019606


Serious creativity: How to be creative under pressure and turn ideas into action / DeBono, Edward 1992  Book
DeBono, Edward Book
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Publication London, Vermilion, 1992.
Description viii, 472pPale green spine
Summary/Abstract As competition in the business world intensifies creativity is becoming increasingly important, as it is the best and cheapest way to get added value out of resources.
Standard Number 9780091939700 Pb.
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7
ID:   019094


Taking flight: Inspiration and techniques to give your creative spirit wings / Roberts, Kelly Rae 2008  Book
Roberts, Kelly Rae Book
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Publication Ontario, North Light Books, 2008.
Description 127pBeige and green spine
Summary/Abstract With this title you will be taken on a fearless journey into the heart of creativity as you test your wings and learn to find the sacred in the ordinary. Honour your memories, speak your truth and wrap yourself in the arms of community.
Contents Unearthing buried dreams Facing our fears Creating community Speaking our truth Finding the sacred in the ordinary Honoring our memories Embracing the questions
Standard Number 9781600610820 Pb.
Key Words IGCSE  Creative ability  Inspiration  Creative prompts 
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8
ID:   019887


To be an artist: musicians, visual artists, writers and dancers speak / Colatosti, Camille 2012  Book
Colatosti, Camille Book
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Publication Maryland, E L Kurdyla Publishing, 2012.
Description xix, 197pLight Blue Spine
Summary/Abstract 'To be an artist' is a conversation with today's successful and prominent artists from a variety of disciplines - musicians, visual artists, digital artists, poets, writers, activists and scholars. All of them discuss what it means to be an artist today, how they perceive their craft and their world, and the role of art in society. They agree that artists' creativity and success come not only from the intense focus of their craft, but, also from their development of a worldview - from their wider vision and understanding of the world in which they live.
Contents Introduction For artists and all of us Part I Knowing oneself: choosing an artist's life. Ch. 1. Victor Wooten: born into a band understanding oneself Ch. 2. Nona Hendryx: art as metamorphosis remaking herself Ch. 3. William Banfield: personal aesthetics Ch. 4. Michael Bearden: being true to yourself Ch. 5. Caroline Harvey: claiming your art and transforming lives Part II Exploring interrelationships among the arts. Ch. 6. Alisa Valdes-Rodriguez: writing the music Ch. 7. Ellen Priest: seeing the world Ch. 8. China Blue: listening to and recording the world Ch. 9. Henry Diltz: shooting the world Ch. 10. Lori Landay: visual meaning technology, art, and culture Part III Sustaining culture and community. Ch. 11. Bruce George: the politics of art Ch. 12. Doug Stanton: writing and living in the community Ch. 13. Otis Sallid: the languages of art Part IV Bringing joy: telling the truth. Ch. 14. Greg Jaris: re-enchanting the world's magic Ch. 15. Bobby McFerrin: spreading joy Ch. 16. Janis Ian: being an artist Conclusion Courage, vision, worldview and magic
Standard Number 9781617510045 Pb.
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