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1 |
ID:
016971
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Publication |
New York, Simon and Schuster, 2003.
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Description |
vii, 247pWhite Spine
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Summary/Abstract |
All it takes to make creativity a part of your life is the willingness to make it a habit. It is the product of preparation and effort, and is within reach of everyone. Whether you are a painter, musician, businessperson, or simply an individual yearning to put your creativity to use, The Creative Habit provides you with thirty-two practical exercises based on the lessons Twyla Tharp has learned in her remarkable thirty-five-year career. Tharp leads you through the painful first steps of scratching for ideas, finding the spine of your work, and getting out of ruts and into productive grooves. The wide-open realm of possibilities can be energizing, and Twyla Tharp explains how to take a deep breath and begin...
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Standard Number |
0743235266 Hb.
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Accession# | Call# | Current Location | Status | Policy | Location |
016376 | 153.35/THA | Main | On Shelf | General | |
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2 |
ID:
011606
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Publication |
London, Vermilion, 2007.
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Description |
180pWhite and Grey Spine
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Summary/Abstract |
Outlines 62 different games and exercises, using random words as a provocation to encourage creativity and lateral thinking.
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Standard Number |
9780091910488 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
011769 | 153.35/DeB | Main | On Shelf | Teacher Resources | Teacher Resource |
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3 |
ID:
014631
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Publication |
London, Penguin Books, 1990.
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Description |
260pRed Spine
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Summary/Abstract |
A book that teaches you to stimulate the mind in new and exciting ways and freeing up your imagination.
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Standard Number |
9780141033082 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
014342 | 153.35/DeB | Main | On Shelf | Teacher Resources | Teacher Resource |
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4 |
ID:
015907
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Edition |
1990
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Publication |
New York, Harper Perennial, 1973.
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Description |
300pCream Spine
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Summary/Abstract |
The first practical explanation of how creativity works, this results-oriented bestseller trains listeners to move beyond a "vertical" mode of thought to tap the potential of lateral thinking.
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Contents |
Preface
Introduction
Use of this book
The way the mind works
Difference between lateral and vertical thinking
Attitudes towards lateral thinking
Basic nature of lateral thinking
The use of lateral thinking
Techniques
The generation of alternatives
Challenging assumptions
Innovation
Suspended judgement
Design
Dominant ideas and crucial factors
Fractionation
The reversal method
Brainstorming
Analogies
Choice of entry point and attention area
Random stimulation
Concepts/divisions/polarization
The new word po
Blocked by openness
Description/problem solving/design
Summary
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Standard Number |
9780060903251 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
015583 | 153.35/DeB | Main | On Shelf | Teacher Resources | Teacher Resource |
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5 |
ID:
022265
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Publication |
London, Little, Brown and Company, 2016.
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Description |
327pWhite spine
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Summary/Abstract |
The urge to tidiness seems to be rooted deep in the human psyche. Many of us feel threatened by anything that is vague, unplanned, scattered around or hard to describe. We find comfort in having a script to rely on, a system to follow, in being able to categorise and file away. We all benefit from tidy organisation - up to a point. A large library needs a reference system. Global trade needs the shipping container. Scientific collaboration needs measurement units. But the forces of tidiness have marched too far. Corporate middle managers and government bureaucrats have long tended to insist that everything must have a label, a number and a logical place in a logical system. Now that they are armed with computers and serial numbers, there is little to hold this tidy-mindedness in check. It's even spilling into our personal lives, as we corral our children into sanitised play areas or entrust our quest for love to the soulless algorithms of dating websites. Order is imposed when chaos would be more productive. Or if not chaos, then . . . messiness. The trouble with tidiness is that, in excess, it becomes rigid, fragile and sterile. In MESSY, Tim Harford reveals how qualities we value more than ever - responsiveness, resilience and creativity - simply cannot be disentangled from the messy soil that produces them. This, then, is a book about the benefits of being messy: messy in our private lives; messy in the office, with piles of paper on the desk and unread spreadsheets; messy in the recording studio, the laboratory or in preparing for an important presentation; and messy in our approach to business, politics and economics, leaving things vague, diverse and uncomfortably made-up-on-the-spot. It's time to rediscover the benefits of a little mess.
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Contents |
Creativity
Collaboration
Workplaces
Improvisation
Winning
Incentives
Automation
Resilience
Life
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Standard Number |
9781408706763 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
I02012 | 153.35/HAR | Main | On Shelf | General | |
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6 |
ID:
019606
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Publication |
London, Vermilion, 1992.
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Description |
viii, 472pPale green spine
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Summary/Abstract |
As competition in the business world intensifies creativity is becoming increasingly important, as it is the best and cheapest way to get added value out of resources.
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Standard Number |
9780091939700 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
I01606 | 153.35/DEB | Main | On Shelf | General | |
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7 |
ID:
019094
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Publication |
Ontario, North Light Books, 2008.
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Description |
127pBeige and green spine
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Summary/Abstract |
With this title you will be taken on a fearless journey into the heart of creativity as you test your wings and learn to find the sacred in the ordinary. Honour your memories, speak your truth and wrap yourself in the arms of community.
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Contents |
Unearthing buried dreams
Facing our fears
Creating community
Speaking our truth
Finding the sacred in the ordinary
Honoring our memories
Embracing the questions
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Standard Number |
9781600610820 Pb.
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Accession# | Call# | Current Location | Status | Policy | Location |
018122 | 153.35/ROB | Main | On Shelf | General | |
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8 |
ID:
019887
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Publication |
Maryland, E L Kurdyla Publishing, 2012.
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Description |
xix, 197pLight Blue Spine
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Summary/Abstract |
'To be an artist' is a conversation with today's successful and prominent artists from a variety of disciplines - musicians, visual artists, digital artists, poets, writers, activists and scholars. All of them discuss what it means to be an artist today, how they perceive their craft and their world, and the role of art in society. They agree that artists' creativity and success come not only from the intense focus of their craft, but, also from their development of a worldview - from their wider vision and understanding of the world in which they live.
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Contents |
Introduction For artists and all of us
Part I Knowing oneself: choosing an artist's life.
Ch. 1. Victor Wooten: born into a band
understanding oneself Ch. 2. Nona Hendryx: art as metamorphosis remaking herself Ch. 3. William Banfield: personal aesthetics Ch. 4. Michael Bearden: being true to yourself Ch. 5. Caroline Harvey: claiming your art and transforming lives
Part II Exploring interrelationships among the arts.
Ch. 6. Alisa Valdes-Rodriguez: writing the music Ch. 7. Ellen Priest: seeing the world Ch. 8. China Blue: listening to and recording the world Ch. 9. Henry Diltz: shooting the world Ch. 10. Lori Landay: visual meaning technology, art, and culture
Part III Sustaining culture and community.
Ch. 11. Bruce George: the politics of art Ch. 12. Doug Stanton: writing and living in the community Ch. 13. Otis Sallid: the languages of art
Part IV Bringing joy: telling the truth.
Ch. 14. Greg Jaris: re-enchanting the world's magic Ch. 15. Bobby McFerrin: spreading joy Ch. 16. Janis Ian: being an artist
Conclusion Courage, vision, worldview and magic
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Standard Number |
9781617510045 Pb.
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Circulation
Accession# | Call# | Current Location | Status | Policy | Location |
018738 | 153.35/COL | Main | On Shelf | General | |
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