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| 1 |
ID:
009697
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| Publication |
Great Britain, Trinity College London, 2009.
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| Description |
59pPurple and Black Spine
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| Summary/Abstract |
Contains the specifications for Grade and Certificate examinations in Acting and Speaking.
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| Standard Number |
Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 010119 | 792.028/ACT | Main | On Shelf | Teacher Resources | Teacher Resource |
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| 2 |
ID:
012165
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| Publication |
London, Usborne Publishing Ltd., 1992.
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| Description |
64pBlue Spine
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| Summary/Abstract |
Details many aspects of the theatrical world and acting, including skills, set and costume design, sound and lighting. Features the kind of jobs available in the craft, and how to get them
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| Contents |
Acting and the theatre
Movement
Voice
Theatre games
Learning to improvise
More about impro
Building a character
Learning lines
Mime
The set
Set design
Props
Costume
Make-up
Lighting
Sound
The director: planning and rehearsing a play
Planning a musical
Acting in films and television
Stanislavsky: a new style
Brecht and the epic theatre
The history of European theatre
Oriental theatre
A modern theatre
20th century influences
Going further
Who's who of playwrights
Glossary
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| Standard Number |
9780794522162 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 012170 | 792.028/EVA | Main | On Shelf | General | |
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| 3 |
ID:
017796
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| Publication |
New York, Anchor Books, 2008.
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| Description |
xiii, 286pYellow and blue spine
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| Summary/Abstract |
William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.
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| Standard Number |
9780307279262 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| I01242 | 792.028/ESP | Main | On Shelf | General | |
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| 4 |
ID:
016960
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| Publication |
London, Bloomsbury Publishing, 2013.
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| Description |
xi, 270pGreen Spine
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| Summary/Abstract |
Stanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.
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| Standard Number |
9781780938431 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| I01030 | 792.028/STA | Main | On Shelf | General | |
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| 5 |
ID:
019537
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| Publication |
London, Metheun Drama, 1950.
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| Description |
300pGreen and black spine
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| Summary/Abstract |
This book deals with the physical realisation of character on the stage - expressions, movement, speech, etc. It is a book in which theory is inextricably bound up with practice - a perfect handbook to the physical art of acting.
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| Standard Number |
9780413367204 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| I01639 | 792.028/STA | Main | On Shelf | General | |
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| 6 |
ID:
016863
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| Publication |
London, Drama Publishers, 2007.
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| Description |
x, 340pGrey Spine
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| Summary/Abstract |
The Complete Stanislavsky Toolkit collects together for the first time the terms and ideas developed by Stanislavsky throughout his career. It is organised into three sections: Actor-Training, Rehearsal Processes and Performance Practices. Key terms are explained and defined as they naturally occur in this process. They are illustrated with examples from both his own work and that of other practitioners. Each stage of the process is then explored with sequences of practical exercises designed to help today's actors and students become thoroughly familiar with the tools in Stanislavsky's toolkit.
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| Contents |
1. Actor-training
2. Rehearsal processes
3. Performance practices
4. An overview of the toolkit and exercises
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| Standard Number |
9780896762596 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I00965 | 792.028/MER | Main | On Shelf | General | |
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| 7 |
ID:
019538
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Creating a role
/ Stanislavski, Constantin; Hapgood, Elizabeth Reynolds(Tr.); Popper, Hermine I.(Ed.)
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1986
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| Publication |
London, Metheun Drama, 1986.
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| Description |
xiv, 271pPink and black spine
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| Summary/Abstract |
No-one has had a greater influence on acting as we know it than Stanislavski. His 'system' - or interpretations of it - has become the central force determining almost every performance was see on stage or screen. His teaching principally set out in three famous books, An Actor Prepares, Building a Character and Creating a Role. It is still the only comprehensive theory of acting we possess
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| Standard Number |
9780413477606 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| I01638 | 792.028/STA | Main | On Shelf | General | |
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| 8 |
ID:
021216
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| Publication |
Wiltshire, The Crowood Press, 2002.
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| Description |
160pBlack spine
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| Summary/Abstract |
This text is written for all companies, student and professional, who are interested in non-text-based theatre and aims to shine a practical light on the passionate business of the devising process. Suggestions and advice include getting started and developing trust and communication within the devising company, how to research and use the results to stimulate ideas and discussion in the rehearsal period, and encouraging, channelling and developing ideas in the rehearsal room. Discovering and incorporating the unexpected in rehearsal and how to stop talking, start playing and develop the performance for an audience is explored is also explored. In addition, backstage and design work, complete with sample checklists, raising money and organizing budgets is also covered.
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| Contents |
Introduction : Collaborative invention / Chris Baldwin and Tina Bicât
1. The Director / Chris Baldwin
2. Set design / Haibo Yu
3. The Actor-performer / Sabina Netherclift
4. Playwriting / Bernd Kessler
5. Music and composition / Paul Barker
6. Movement direction / Ruth Naylor-Smith
7. Designing and making costumes / Tina Bicât
8. Stage management / Alison King
9. Production / Charlotte Cunningham
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| Standard Number |
9781861265241 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location | IssuedTo | DueOn |
| I01962 | 792.028/BIC | Main | Issued | General | | ENR01199 | 05-Sep-2023 |
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| 9 |
ID:
017071
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| Publication |
London, Routledge, 1992.
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| Description |
xxxi, 247pChocolate brown spine
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| Summary/Abstract |
A handbook packed with games, exercises, methods and techniques from the world-famous author of Theatre of the Oppressed. This first English translation includes new examples and fresh ideas.
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| Contents |
The Theatre of the Oppressed in Europe
The Structure of the Actor's Work
The Arsenal of the Theatre of the Oppressed
Forum Theatre: Doubts and Certainties
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| Standard Number |
9780415061551 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I01051 | 792.028/BOA | Main | On Shelf | General | |
| I01308 | 792.028/BOA | Main | On Shelf | General | |
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| 10 |
ID:
016913
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| Publication |
London, Bloomsbury Publishing, 2014.
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| Description |
208pReddish Spine
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| Summary/Abstract |
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called T.
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| Standard Number |
9780713687019 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| I00985 | 792.028/JOH | Main | On Shelf | General | |
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| 11 |
ID:
016928
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| Publication |
London, Methuen Drama, 1997.
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| Description |
xvii, 125pBlack Spine
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| Summary/Abstract |
Yoshi Oida is a Japanese actor and director who has worked mainly in the West as a member of Peter Brook's theatre company in Paris. He blends the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. In this study of the actor's art written with Lorna Marshall, Yoshi Oida provides every performer with all the simple tools which help place the technique of acting behind a cloak of invisibility. Yoshi Oida believes that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance.
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| Standard Number |
9780413696106 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| I00999 | 792.028/OID | Main | On Shelf | General | |
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| 12 |
ID:
017453
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Colorado, Meriwether Publishing Ltd., 2004.
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| Description |
228pYellow Spine
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| Summary/Abstract |
All of the basic concepts of pantomime, improvisation, character development, voice and body control are presented in game and exercise format. Experienced theatre arts teachers and actors share valuable tips on using theatre games to improve performance both in the classroom and on-stage.
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| Standard Number |
9781566080965 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 016785 | 792.028/ZIM | Main | On Shelf | Teacher Resources | Teacher Resource |
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| 13 |
ID:
022919
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USA, The Working Arts Library, 2004.
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| Description |
59pBlack spine
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| Summary/Abstract |
Michael Chekhov discusses the art of characterization, shortcuts to role preparation, how to awaken artistic feelings and emotions, overcoming inhibitions and building self-confidence, psycho-physical exercises, and the development of the ensemble spirit.
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| Contents |
Characterization --
Many-levelled acting --
Avoiding monotony in the actor's performance --
How to awaken artistic feelings and emotions --
Love in our profession --
Five guiding principles --
Overcoming inhibitions --
Short cuts to the part.
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9781557835314 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| I02108 | 792.028/CHE | Main | On Shelf | General | |
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| 14 |
ID:
017695
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New York, Vintage, 1987.
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| Description |
xix, 282pBrown spine
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| Summary/Abstract |
Sanford Meisner, who is the best known and most beloved teacher of acting in the country, has written this book in collaboration with Dennis Longwell. It follows an acting class of eight men and eight women for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Through the pages, Meisner is a delight, always empathizing with his students and urging them onward, provoking emotion, laughter and growing technical mastery from his charges.
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9780394750590 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I01234 | 792.028/MEI | Main | On Shelf | General | |
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| 15 |
ID:
024469
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| Publication |
London, Routledge, 2006.
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| Description |
xvi, 163pPink spine
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| Summary/Abstract |
This is an examination of Lecoq's philosophy of human movement, and the way it takes expressive form in a range of performance traditions. He traces the history of pantomime, sets out his definition of the components of the art of mime, and discusses the explosion of physical theatre in the 20th century.
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9780415359443 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I02326 | 792.028/LEC | Main | Missing | General | |
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| 16 |
ID:
021455
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| Publication |
Connecticut, Martino Publishing, 2014.
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| Description |
xiii, 201pWhite spine
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| Summary/Abstract |
Chekov has recorded the results of his many years of experimenting, testing and verifying in the professional theater and schools of theater. He brings to the actor far greater insight into himself and the character he is to portray, which enables him to approach any role with new ease and skill. Chekhov was told by Stanislawsky to organize his observations and thoughts and present them to his audience.
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9781614276593 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I01976 | 792.028/CHE | Main | On Shelf | General | |
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