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GROSENICK, UTA (ED.) (4) answer(s).
 
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ID:   008624


Conceptual Art / Marzona, Daniel; Grosenick, Uta (ed.) 2006  Book
Grosenick, Uta (ed.) Book
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Publication Los Angeles, Taschen, 2006.
Description 96pBlue Spine
Summary/Abstract This guide to conceptual art traces the issues and concerns of the first generation of artists involved in the foundation of the movement, with an essay exploring the historical basis of conceptual art, its relationship to the dominant aesthetics of the 1960s, namely the modernist theory of Clement Greenberg and his disciples, and the influence of conceptual art on today's art and cultural climate. The body of the book contains a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work, a reference work, portrait of the artist, quotes, and biographical information.
Contents Features the work of Vito Acconci, Art & Language, John Baldessari, Robert Barry, Mel Bochner, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Gilbert &​ George, Dan Graham, Hans Haacke, Jenny Holzer, Douglas Huebler, On Kawara, Joseph Kosuth, Louise Lawler, Sol LeWitt, Gordon Matta-Clark, Ana Mendieta, Bruce Nauman, Adrian Piper, Edward Ruscha, Lawrence Weiner, Ian Wilson, et al.
Standard Number 9783822829622 Pb.
Key Words Art, Modern - 20th century  IBDP  Conceptual art  TOK  Transfer to IBDP 
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Accession#Call#Current LocationStatusPolicyLocation
009008709.04075/MARMainOn ShelfGeneral 
2
ID:   007413


Cubism / Gantefuhrer-Trier, Anne; Grosenick, Uta (ed.) 2006  Book
Gantefuhrer-Trier, Anne Book
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Publication USA, Taschen, 2006.
Description 96pBlue Spine
Summary/Abstract Explains Pablo Picasso's expression of how cubism is seen as a means of expressing what we perceive with the eye and the spirit, within utilizing all the possibilities that lie within the natural properties of drawing and colour.
Contents A new cognitive order? 1907 - Pablo Picasso - Les Demoiselles d'Avignon Pablo Picasso - Three Women 1908 - Georges Braque - Large Nude Georges Braque - Houses in L'Estaque Pablo Picasso - Fruit Bowl and Bread on a Table 1909 - Georges Braque - Castle at La Roche-Guyon Pablo Picasso - Reservoir at Horta, Horta de Ebro Pablo Picasso - Houses on the Hill, Horta de Ebro Georges Braque - Violin and Palette Pablo Picasso - Head of a Woman (Fernande) Fernand Léger - Nudes in the forest 1910 - Georges Braque - Woman with a Mandolin Pablo Picasso - Girl with a Mandolin (Fanny Tellier) Georges Braque - Bottle and Fishes Robert Delaunay - The Tower behind Curtains 1911 - Juan Gris - Houses in Paris Jean Metzinger - Tea Time Henri Le Fauconnier - The Huntsman 1912 - Pablo Picasso - Maquette for Guitar Georges Braque - Bowl of fruit, Bottle and Glass Albert Gleizes - The Cathedral of Chartres Jean Metzinger - The Bathers Fernand Léger - Smoke 1913 - Juan Gris - The Smoker Juan Gris - The Guitar Pablo Picasso - The Guitar Fernand Léger - Still-life with Colourful Cylindrical Forms 1914 - Pablo Picasso - Pipe, Glass, Bottle of Vieux Marc Georges Braque - Pipe, Glass, Dice and Newspaper Juan Gris - Tea Cups Fernand Léger - The Balcony Raymond Duchamp-Villon - The Great House 1915 - Juan Gris - The Breakfast Jean Metzinger - Still-life 1917 - Albert Gleizes - In the Port
Standard Number 9783822829585 Pb.
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007794709.04032/GANMainOn ShelfGeneral 
3
ID:   008625


Dadaism / Elger, Dietmar; Grosenick, Uta (ed.) 2006  Book
Grosenick, Uta (ed.) Book
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Publication Los Angeles, Taschen, 2006.
Description 96pBlue Spine
Summary/Abstract The First World War was the starting point of the dissemination of the artistic and literary style known as Dadaism. The movement which lasted till about 1923 was directed against the ideas of the bourgeoisie concerning life and art, taking no account of logic, morality and convention. The major forms of artistic expression were collage, montage and assemblage.
Standard Number 9783822829462 Pb.
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009007709.0406/ELGMainOn ShelfGeneral 
4
ID:   007613


Pop Art / Honnef, Klaus; Grosenick, Uta (ed.) 2006  Book
Grosenick, Uta (ed.) Book
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Publication Los Angeles, Taschen, 2006.
Description 96pYellow Spine
Summary/Abstract Pop art substitutes the everyday for the splendid; mass-produced articles are assigned the same importance as one-offs and the difference between high culture and popular culture is swept away. Media and advertising are among the preferred contents of Pop Art. Pop Art developed its full potential in the USA in the 1960s. The enthusiasm generated by Pop Art since the first works were exhibited has never died down - it is greater today than ever before.
Standard Number 3822822183 Pb.
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008038709.04071/HONMainOn ShelfGeneral