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| 1 |
ID:
000460
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| Publication |
London, Hodder Wayland, 2001.
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| Description |
48pPurple Spine
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| Series |
The Shakespeare Collection
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| Summary/Abstract |
In the magical forest or Arden, it seems, people can catch love like the 'flu... Celia loves Oliver, Rosalind loves Orlando, and Phebe loves Ganymede. Everything should be perfect. But Ganymede is really Rosalind in disguise, and Orlando has no idea. Will anyone live happily ever after?
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| Standard Number |
0750233508 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 001260 | FIC/SHA | Main | On Shelf | General | |
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| 2 |
ID:
001358
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Hamlet
/ Shakespeare, William; Matthews, Andrew; Ross, Tony (ill.)
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2002
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London, Orchard Books, 2002.
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| Description |
64pBlack Spine
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| Series |
A Shakespeare Story
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| Summary/Abstract |
Murder most foul... An action-packed retelling of Shakespeare's dark tale of revenge and murder. With notes on Shakespeare and the Globe Theatre, and Revenge in Hamlet.
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| Standard Number |
1841213403 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 001783 | FIC/SHA | Main | On Shelf | General | |
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| 3 |
ID:
024496
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Hamlet
/ Shakespeare, William; Unzer, Christa (ill.)
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2009
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| Publication |
London, Usborne Publishing Ltd., 2009.
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| Description |
64pBlue spine
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| Series |
Usborne Young Reading: Series Two
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| Summary/Abstract |
When a ghostly figure appears to Prince Hamlet, he discovers the dreadful truth about his father's death. His quest for revenge leads him into a world of mayhem, madness and murder.
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| Standard Number |
9780746096116 Hb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 022374 | FIC/USB | Main | On Shelf | General | |
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| 4 |
ID:
026871
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New Delhi, Aleph Book Company, 2018.
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| Description |
vii, 282pRed spine
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| Summary/Abstract |
Masala is a word that conjures up many associations. The word derives, through Urdu and Persian, from the Arabic ‘masalih’—ingredients. To a westerner, it immediately suggests exotic eastern spices. In its most widespread metaphorical use in India, it means embellishment or exaggeration. It also means a mixture—originally a mixture of ground spices, but more metaphorically any kind of mixture, especially one of cultural influences.While Shakespeare today is considered ‘literature’ and is taught as a ‘pure’, ‘high’ form of art, in his own day it was the quintessential ‘masala’ entertainment he provided that attracted both the common people and the nobility. In Masala Shakespeare, Jonathan Gil Harris explores the profound resonances between Shakespeare’s craft and Indian cultural forms as well as their pervasive and enduring relationship in theatre and film. Indeed, the book is a love letter to popular cinema and other Indian storytelling forms. It is also a love letter to an idea of India. One of the arguments of this book is that masala—and, in particular, the masala movie—is not just a formal style or genre. More accurately, it embodies a certain version of India, one that celebrates the plural, the polyglot, the all-over-the-place. The book is also ultimately a portrait of contemporary India with all its pluralities and contradictions.In Masala Shakespeare, the author focuses on twelve Shakespeare plays—The Comedy of Errors, A Midsummer Night’s Dream, Romeo and Juliet, The Taming of the Shrew, Twelfth Night, Macbeth, Othello, Hamlet, King Lear, The Tempest, Pericles and Titus Andronicus—that have acquired Indian lives independent of the familiar English texts of the plays. The plays are a diverse mixture whose Indian avatars—including films such as Angoor, 10ml Love, Ishaqzaade, Goliyon ki Rasleela Ram-Leela, Gundamma Katha, Isi Life Mein, Dil Bole Hadippa!, Maqbool, Omkara, Haider, Arshinagar and The Last Lear and plays such as Kamdev ka Apna Basant Ritu ka Sapna, Jangal mein Mangal, Chattan Kattu, Piya Behrupiya, Chahat ki Dastaan and Hera-Phericles—are very different from each other. In their own ways, however, they all chafe against an oppressive power by refusing the current vogue for shuddhta (purity), and singularity, and instead celebrate the plural and mixed.
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| Contents |
Khanndanns
Jugalbandis
Naataks
Dardnak Kahaanis
Toofans
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| Standard Number |
9789388292269 Hb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| I02636 | 822.33/HAR | Main | On Shelf | General | |
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| 5 |
ID:
000244
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| Publication |
London, Orchard Books, 2002.
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| Description |
63pPurple Spine
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| Series |
A Shakespeare Story
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| Summary/Abstract |
A story that takes place in Athens, and is about a marriage being planned vetween Theseus and Hippolyta. The King of Fairies, Oberon, decides to play a trick on Queen Titanai to make her fall in love with the first thing she sees. Through a series of mishaps, this trick ends up being played on the wrong person.
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1841213322 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 001786 | FIC/SHA | Main | On Shelf | General | |
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| 6 |
ID:
002175
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| Publication |
London, Hodder Wayland, 2000.
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| Description |
46pBlack and Green Spine
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| Series |
The Shakespeare Collection
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| Summary/Abstract |
Beatrice and Benedick swear they hate each other, Claudio and Hero swear they love each other. Will Claudio and Hero persuade Beatrice and Benedick that love and marriage are good things?
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| Standard Number |
0750029986 Pb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 001264 | FIC/SHA | Main | On Shelf | General | |
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| 7 |
ID:
005059
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| Publication |
London, Heinemann Educational Publishers, 1996.
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| Description |
185pOrange spine
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Heinemann New Windmills
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| Summary/Abstract |
An acclaimed author has rewritten six of Shakespeares plays in narrative form, retaining much of the original language, and thus the flavor of the bards dramas.
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| Standard Number |
0435124498 Hb.
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| Accession# | Call# | Current Location | Status | Policy | Location |
| 005808 | FIC/SHA | Main | On Shelf | General | |
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| 8 |
ID:
014145
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Massachusetts, Candlewick Press, 1998.
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| Description |
30pRed Spine
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| Summary/Abstract |
Retells seven of Shakespeare's plays in comic book format.
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| Contents |
Romeo and Juliet
Hamlet
A Midsummer night's dream
Macbeth
The winter's tale
Julius Ceasar
The tempest
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| Standard Number |
9780763623234 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 013913 | FIC/SHA | Main | On Shelf | General | |
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| 9 |
ID:
022299
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| Publication |
Mumbai, Shree Book Centre, 2011.
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| Description |
362pLight Green Spine
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| Summary/Abstract |
A collection of twenty stories as an introduction to the study of Shakespeare, for young children.
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| Contents |
The Tempest
A midsummer night's dream
The winter's tail
Much ado about nothing
As you like it
The two gentleman of Verona
The merchant of Venice
Cymbeline
King Lear
Macbeth
All's well that ends well
The taming of the shrew
The comedy of errors
Measure for measure
Twelft night, or, what you will
Timon of Athens
Romeo and Juliet
Hamlet, Prince of Denmark
Othello
Pericles, Prince of Tyre
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| Standard Number |
9788184997569 Pb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 020685 | FIC/SHA | Main | On Shelf | General | |
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| 10 |
ID:
002956
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| Publication |
New York, Random House, 1999.
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| Description |
384pBlue Spine
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| Series |
Children's Classics
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| Summary/Abstract |
In the twenty tales told in this book, Charles & Mary Lamb succeeded in paraphrasing the language of truly adult literature in childrens' terms. Let us not underestimate young readers: they love a complex story with many and varied characters, twists of p
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| Standard Number |
0517205742 Hb.
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Circulation
| Accession# | Call# | Current Location | Status | Policy | Location |
| 001381 | FIC/SHA | Main | On Shelf | General | |
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